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May 18th

Submitting work to an illustration agency

Illustration agents love to see new work. The business thrives on new talent and original illustration styles. However, illustration agencies receive sometimes hundreds of submissions a week, so how do you stand out?

Illustration agents love to see new work. The business thrives on new talent and original illustration styles. However, illustration agencies receive sometimes hundreds of submissions a week, so how do you stand out?

How do you guarantee your work will be seen by the right people? And what is the best way to submit work to an illustration agency?

The short answer is: if your work is good, it will get looked at, but there may be some barriers standing in the way of getting your portfolio in front of the right people.

First, you need to be honest with yourself and ask: “Am I ready for an illustration agent?” Often an illustration agency won’t consider an artist for representation if they don’t have some clients of their own or haven’t proven themselves capable of working in a professional environment. Getting an agent shouldn’t be your first priority after leaving university and is not a shortcut to fame and fortune. Put in the work and prove yourself first. You don’t need to have worked for the biggest clients in the world, but the difference between a professional portfolio and a personal portfolio is a big one. Can you demonstrate that you are a professional illustrator?

How to submit your work

Each agency has their preferred way of receiving illustration submissions, so you should take the time to research each one before you click send.

Below is a list of illustration agencies and their guidelines on submitting work. It is far from being a complete list, but we have noted some key points you should consider at the end.

UK illustration agencies

  • Folio – Email a few low res jpg files with a link to your website to [email protected]
  • Debut Art – Email [email protected] with a link to your website or social media with an introduction and a pdf of a selection of your work.
  • Handsome Frank –  Send no less than 9 low res jpgs  [email protected] – They have a big emphasis on attitude and professionalism
  • JSR Agency – Tell them a little about yourself and show your work to [email protected]
  • Jelly London – Email [email protected] No real guidelines are offered but keep in mind the considerations below.
  • Central Illustration Agency – Send 6 low res images or a link to [email protected]
  • The Artworks – Send a link to your website and 5/6 low res jpgs to [email protected]
  • Heart Agency – Send a website link and brief explanation of why you are seeking representation to [email protected]
  • Illustration X (formerly Illustration Web) – Will not accept email submissions, but have an online form to fill in. Discourage students from applying
  • Lemonade illustration agency – This is a really useful, albeit strict list of guidelines. Email [email protected] with a link to your website and the reasons you are approaching them. Professionally presented emails only; they do not accept emails with attachments; do not accept unsolicited phone calls; do not look at emails if you have cc’d in other agencies and do not accept emails that aren’t addressing Lemonade specifically. They also ask for submissions to have one signature style.
  • NB Illustration – send an email no larger than 1mb with a brief introduction and 72dpi RGB jpgs to [email protected] Emails with only a link will get put into spam.
  • Agency Rush – Send no more than 6 low res samples to [email protected]
  • Bright Agency – Upload a pdf with a minimum of 10 samples on their online form and include a link to your website.
  • Roar Illustration – Online form. It says they will announce on social media when they are taking on new artists
  • B&A Reps (Bernstein & Andriulli) – Email your work to [email protected] (no real instructions given)

 

USA illustration agencies

  • Closer and Closer Co – They have an online questionnaire to fill in
  • Shannon Associates – Online form
  • AA Reps (American Artists) – The only one I’ve found so far with no instructions on submitting your work
  • Snyder New York – Send your portfolio, website and Instagram to: [email protected]
  • Illo Zoo – Send a link to your website to [email protected] – They will contact you only if they are interested
  • Spinning Yarn Reps – Email [email protected] with a link to your portfolio and tell them a little bit about yourself.

Some of these guidelines for illustration submissions differ, Illustration Web and Lemonade illustration agency presumably do not want their inboxes filling up with images and prefer to be able to look through submissions when they are ready.

There are, however, a lot of similarities:

10 things to consider when submitting work to an illustration agency

  1. Read each agency’s submission guidelines and follow them.
  2. Send low-resolution jpgs. 72dpi, save for web, around 1000px longest edge is a good size. Anything bigger than that is going to take longer to load and clog up the agency’s inbox.
  3. Introduce yourself: Write a couple of sentences about you and your work and why you are seeking representation.
  4. While illustration is an informal industry, your email should be professional, personalised, to the point and spelled correctly.
  5. Feel free to send a short client list, but don’t send a CV.
  6. Do not send a blanket email with other agencies cc’d in to the email. That shows a lack of attention to detail and a lack of respect.
  7. Do not send multiple emails. If your images don’t fit on one email, you’re doing something wrong. Refer to the guidelines above and try again.
  8. Consider the other artists represented by the agency. Is your work very similar to another artist? If so, it is unlikely the agency will be able to take you on. If an artist with a specific style sees that the agency has taken on another artist with a very similar style, they will feel like they are having to compete for work within their own agency, and probably aren’t going to be happy about it.
  9. Make it as easy as possible for the agency to look at more of your work. Send a link to your portfolio.
  10. No download links, no zip files and no high-resolution images.

Here’s a great example of what not to do:

email submissions

↑ What’s wrong with this email? ↑

You will notice that none of the guidelines above mentions postal submissions. While it can be a really nice treat to get an awesome print or well-designed mail-out in the post, it isn’t necessary and can be a waste of your hard-earned money. You do not have to spend a lot of time and money to get your work noticed. Once you are earning enough from your illustrations, by all means, make some interesting mail-outs, but if you are just starting out and can’t afford to eat, it shouldn’t be a priority.

Even if your work isn’t quite right for the agency at the time, if you submit your work the correct way it will get looked at, so why discount yourself? Take 10 minutes and do the research. It will make all the difference!

See more of Bodil Jane’s work here and follow her @bodiljane

If you want to know more about this subject and see just how easy it is to find Illustration Agency submission guidelines, check out this video:

Comments

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  1. Ane Frenhi says: says:

    Excelent. It helped me a lot

  2. Maureen says: says:

    Hello!
    I am a subscriber of your YouTube channel and find your content invaluable and am very happy that you take questions! I’ve been a Senior Brand Designer for close to 16 years and I’m taking steps to putting myself out there as an illustrator/surface designer. I have pitched to a few (literally two) illustration agencies, when guidelines dictate “no more than 10 jpegs”, are they looking for 10 artworks, 1 artworks per jpeg or 10 jpegs containing multiple artworks? Am I overthinking? Please help

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